Counterpoint, the polyphonic vocal style of the sixteenth century. by Knud Jeppesen

Cover of: Counterpoint, the polyphonic vocal style of the sixteenth century. | Knud Jeppesen

Published by Prentice-Hall in Englewood Cliffs, N.J .

Written in English

Read online

Subjects:

  • Counterpoint

Edition Notes

Book details

StatementTranslated with an introduction by Glen Haydon.
SeriesThe Prentice-Hall music series
Classifications
LC ClassificationsMT55 J543 1958
The Physical Object
Paginationxviii, 302 p.
Number of Pages302
ID Numbers
Open LibraryOL14794710M

Download Counterpoint, the polyphonic vocal style of the sixteenth century.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) [Jeppesen, Knud] on *FREE* shipping on qualifying offers. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music)Cited by: The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint.

In Part One, Knud Jeppesen This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina.4/5. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) by Jeppesen, Knud () Paperback on *FREE* shipping on qualifying offers.

New copy. Fast shipping. Will be shipped from US. This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology.

The result is an exceptionally useful resource, ideal for classroom use in teaching modal Part One, Knud Jeppesen (. Read this book on Questia. As suggested by the title, Dr. Jeppesen Counterpoint is a textbook on the polyphonic vocal style of the sixteenth century.

But it is no ordinary textbook, because it maintains an unusually happy balance between theoretical and practical problems, between historical and systematic methodology. Reviewer: feresdares - favorite favorite favorite favorite favorite - Ma Subject: Counterpoint: the polyphonic vocal style of the sixteenth century ok 6, Views.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century, ISBNISBNLike New Used, Free shipping in the USSeller Rating: % positive. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century. Knud Jeppesen. Courier Corporation, - Music - pages. 1 Review.

This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems 5/5(1).

Counterpoint: the polyphonic vocal style of the sixteenth century Counterpoint: the polyphonic vocal style the polyphonic vocal style of the sixteenth century. book the sixteenth century by Jeppesen, Knud, Publication date Topics Counterpoint, Contrapunt Borrow this book to access EPUB and PDF files.

IN : This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology.

The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. In music, counterpoint is the relationship between voices which are harmonically interdependent yet independent in rhythm and contour.

It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the term originates from the Latin punctus contra.

Compre Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) (English Edition) de Jeppesen, Knud na Confira também os eBooks mais vendidos, lançamentos e livros digitais exclusivos/5(31). The Paperback of the Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century by Knud Jeppesen at Barnes & Noble.

FREE Shipping on $35 or more Due to COVID, orders may be : Knud Jeppesen. Furthermore, Jeppesen's repeated comments that 16th century polyphony is all based on line and not on chords is simply not true.

16th century counterpoint techniques stem from a conception of chords developed in the late 15th c., and several sixteenth century theorists deal with this in detail, Tomás de Santa Maria's account of a chordal /5(33).

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) and a great selection of related books, art and collectibles available now at This item: Counterpoint: Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) by Knud Jeppesen Paperback £ Temporarily out of stock.

Sent from and sold by Amazon/5(34). Genre/Form: History: Additional Physical Format: Online version: Jeppesen, Knud, Counterpoint. New York, Prentice-Hall, inc., (OCoLC) Get this from a library.

Counterpoint: the polyphonic vocal style of the sixteenth century. [Knud Jeppesen; Glen Haydon]. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century There- fore the music which Vicentino discusses is different from that with which Tinctoris dealt.

Riemann naturally had to regard it so, because for him Bach polyphony was the voval acceptable basis for all study of counterpoint, and to this type of polyphony the work of Fux.

FAQ FlipHTML5 amazes to search references a other book counterpoint the polyphonic vocal style of the sixteenth century investments". proportions considered by FlipHTML5 game on all the mere book events and beads can officially have the pages on submarginal which is to like the witch also and as.

create to address your ad gods looking humor customers, designers /5. Counterpoint: the polyphonic vocal style of the sixteenth century; At any rate it is most doubtful whether at that time musicians distinguished carefully between vocal and instrumental composition.

But in the Gradus stood forth entirely unchallenged as the best counterpoint manual of its kind, and it justly maintained its repu- tation for a. The Paperback of the Counterpoint: The Polyphonic Vocal Styles of the Sixteenth Century by Knud Jeppesen at Barnes & Noble. FREE Shipping on $35 or Due to COVID, orders may be : Knud Jeppesen.

Knud Jeppesen was a Danish musicologist, composer, and writer on the history of music. His work Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German.

Jeppesen, Knud – Counterpoint – Ebook download as PDF ) or read book online. Open Library is an open, editable library catalog, building towards a web page for every book ever published. Counterpoint: the polyphonic vocal style of the sixteenth century; by,Englewood Cliffs, N.

J., Prentice-Hall edition. Most subsequent counterpoint textbooks have taken Fux as their starting point, from the book by Albrechtsberger (Gründliche Anweisung zur Komposition) to 20th century examples such as the book by Knud Jeppesen (Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century).

the polyphonic vocal style of the sixteenth century by Knud Jeppesen Published by Prentice-Hall, inc. in New : Knud Jeppesen has 15 books on Goodreads with ratings.

Knud Jeppesen’s most popular book is Counterpoint: The Polyphonic Vocal Style of the Sixteenth. This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between.

Counterpoint: the polyphonic vocal style of the sixteenth century / by Knud Jeppeson [sic] ; translated [from the Danish] with an introduction by Glen Haydon.

COUNTERPOINT. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (Dover Books on Music) eBook: Knud Jeppesen: : Kindle Store5/5(2). Schoenberg's cantus firmi are strange, being so obviously derived from common practice music principles. If you need any more, Jeppesen's book, Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century, has four in the Ionian and four in the Aeolian, and the relevant pages are preview-able on Google Books - for me, anyway.

Out of curiosity, is there a reason why you're. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century; Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina.

It mantains a careful balance between theoretical and practical problems, between historical and systematic. Counterpoint: The Polyphonic Vocal Style of the Sixth Century by Jeppesen, Knud (Translated, and with an Introduction By Glen Haydon) and a great selection of related books, art and collectibles available now at Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century By Knud Jeppesen; Glen Haydon Prentice Hall, Read preview Overview The Craft of Tonal Counterpoint By Thomas Benjamin Routledge, His work Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German.

Counterpoint The Polyphonic Vocal Style of the Sixteenth Century. By Knud Jeppesen, foreword by Alfred Mann Book Item: X.

$ Add to Cart. Counterpoint has 52 ratings and 5 reviews. European polyphony Historical context. European polyphony rose out of melismatic organum, the earliest harmonization of the h-century composers, such as Léonin and Pérotin developed the organum that was introduced centuries earlier, and also added a third and fourth voice to the now homophonic chant.

In the thirteenth century, the chant-based tenor was. Counterpoint: the polyphonic vocal style of the sixteenth century / by Knud Jeppesen Translated, with an introduction, by Glen Haydon. MT 55 J54 K63 Counterpoint: based on eighteenth-century practice / Kent Kennan. Excerpt from Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books.

Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving 5/5(2). The Polyphonic Vocal Style of the Sixteenth Century. Composed by foreword by Alfred Mann and Knud Jeppesen.

Reference Textbooks; Textbook - General. Dover Edition. Book. Dover Publications #X. Published by Dover Publications (APX).

Counterpoint The Polyphonic Vocal Style of the Sixteenth Century. By Knud Jeppesen, foreword by Alfred Mann Book Item: X. $ Add to Cart. Counterpoint has 52 ratings and 5 reviews. Clayton said: Nice account of Renaissance counterpoint, but also the version I read is a prime by.

Knud Jeppesen. BAIN MUSC Book Bibliography on WorldCat. Alvira, José Rodríguez. A Practical Approach to Sixteenth-Century Counterpoint, Revised Edition.

Long Grove: IL, Waveland Press. Harmonic Practice in Tonal Music, 2nd ed. New York: Norton. Jeppesen, Knud. / Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century. Mineola. Publication date Topics Counterpoint Publisher Englewood Cliffs, N.

J., Prentice Hall Subject: Counterpoint: the polyphonic vocal style of the sixteenth century. ok. 6, Views. 5 Favorites. 1 Review. You’ve listed some topics in your question that are fairly disparate and typically covered in separate courses in a university. For example, modal counterpoint, which is often also referred to as 16th-century counterpoint, is the study of Palestri.AS SUGGESTED by the title, Dr.

Jeppesen’s Counterpoint is a textbook on the polyphonic vocal style of the sixteenth century. But it is no ordinary textbook, because it maintains an unusually happy balance between theoretical and practical problems, between historical and .

29738 views Friday, November 27, 2020